Gap Analysis: the art and science of navigating trees

By Jack Trageser — Rattling Chains staff

Many playing companions over the years have heard me mutter “I see holes” at some point during my pre-shot routine while playing a round of disc golf. It’s a go-to phrase of mine, and has been for probably 15 years. Some ask why I say those words when getting ready for certain shots, and they get the answers as you’ll see below.

The funny thing about this particular mantra is I use it for two distinctly different reasons, yet the two reasons often blend together. The place where the two meet — the axis of risk or reward assessment (a scientific approach) and more nebulous subjects like positive thinking and confidence (closer to an art than a science) — is really the essence of the mental side of golf.

school of disc golfAs always, this is best explained through the use of specific examples, which we’ll get into, but first a brief explanation of the two reasons for “I see holes!”

The history of this mantra, for me, was the light bulb-over-the-head realization that even on shots where the trees and other obstacles seem so numerous and throwing a disc cleanly through and past them is impossible, it’s rarely as bleak as thought. In fact, when you consider the overall area covering a particular flight path you’re hoping to take, the gaps between the trees usually represent a much larger portion of the total space than the obstructions.

After this became apparent to me, I would chant “I see holes” as a way to remind myself to think about and visualize a clean flight rather than dreading the relatively few disc-whacking trees it had to pass. In this context it’s really just positive thinking and positive imagery, and the mantra is a way to keep my thoughts focused on the good things that I plan to happen rather than the bad things that might occur.

And it really works!

That’s how the phrase first popped into my head. But it was only a matter of time before my analytical side dissected the magical effectiveness of “I see holes.”

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Casual golf’s competitive summit: an epic and friendly grudge match

I rarely dedicate an entire post to a first-person account of a disc golf round, but on rare occasions I feel it makes for good enough reading and I break my own rule.

This round is at DeLaveaga in Santa Cruz, California, and I’ve included links to hole descriptions so you can better visualize the situations.

jackFirst, let me give you some background. My friend Alan and I have played together since the late 1990s. We used to gamble small wagers. In the early days, he was an established — he won the Faultline Classic/California State Championship in DeLaveaga in 1994 — and I was playing Am1 and still learning.

More often than not, he hustled me. But I paid attention and, eventually, my improving game and injuries on his part swung things in my favor. I’ve had the advantage for the past eight years or so, but Alan has really cranked his game up in the past few months. We’re pretty even now. I’m sure most readers would agree that it’s more fun if your more evenly matches with a playing partner.

We attempt to play when the courses aren’t too crowded. This time, however, a 2 p.m. Saturday round was the only time that worked for both of us. We’re not used to being on the course at such a peak time and it was like a party spread out over 80 acres. For us, that’s not a goof thing on a golf course.

Discs were flying everywhere and voices continually cascaded up and down the ravines. It was wild. Crazy wild. The wind was crazy, too. It was pretty gusty, but the challenging aspect was that it kept changing direction. You’d factor the headwind into a certain shot and then it would change to a tailwind.

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PDGA vs. USGA membership: One way the barrier to entry is higher in disc golf

Saying I am a disc golf supporter and even an ardent promoter would be an understatement. Kind of like stating Labrador retrievers like to chase things and bring them back.

I write for two blogs exclusively dedicated to disc golf, and have a book in the works. My side business — School of Disc Golf — is more about spreading the word than generating income. I produce a TV show/video magazine on disc golf.

jackI have also served as an officer for my local disc golf club, helped to design and install several courses, and talk about disc golf to whoever is willing to listen. I proudly hold PDGA #9715, which nowadays marks me as old school.

However, I am not a current member of the PDGA, disc golf’s governing organization.

In the past membership was a no-brainer, as it was required if you wanted to participate in certain sanctioned events. But raising young kids and injuries have effectively halted my participation in all but local, one-day competitions, so I’m no longer compelled to be a PDGA for that reason alone.

Don’t misunderstand me. Being able to compete in sanctioned events wasn’t the only reason I joined the PDGA.

I somewhat enjoyed the magazine that comes with membership — both versions (Disc Golf World News and Disc Golfer), and was proud to do my part in supporting the main organization representing the sport I love. But right around the time I stopped playing in big events I also found myself out of work, and all superfluous expenses had to go. After 13 consecutive years of membership, my streak ended in 2010.

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Three causes for taking extra strokes in disc golf — and how to avoid ’em

By Jack Trageser — Rattling Chains staff

After playing the seventh hole at DeLaveaga the other day, it occurred to me I had already had three bogeys. To loosely paraphrase Ice Cube from back in the 1990’s, I was givin’ out strokes ‘like government cheese!’

Then, in keeping with my longstanding practice of pondering why the bogies occurred rather than simply lamenting the fact, I observed each was attributable to one of the three reasons players take extra strokes in disc golf — bad execution, mental errors, and bad luck.

school of disc golfIf you haven’t thought of your disc golf game from this perspective before, it might be worthwhile to check it out. Bad luck (and good luck!) will happen when it happens, and luck is impossible to control (although often times bad luck is set up by a bad decision). Errors are another thing entirely.

Knowing which type (execution or mental) you’re more prone to commit will help you know which area of your game requires more work in order to improve performance and consistency.

To make it clearer, here are the details of those three bogies at the start of my recent round:

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Discmasters TV — looking at a disc golf’s first variety show

By Jack Trageser — Rattling Chains staff

Most of you who read Rattling Chains or the School of Disc Golf blog know I run School of Disc Golf as a side-gig, mainly because I thoroughly enjoy getting new players hooked on the game and helping those already addicted get better.

You’ve likely read, at some point, that I used to play in as many tournaments I could, topped out at a 999 player rating (so close!) and, for a time, was an officer of the DeLaveaga Disc Golf Club.

discmasters_logorevWhat I don’t think I’ve ever mentioned in this space before is another off-and-on project of mine — Discmasters TV. Since the first new episode in quite a while just hit YouTube, it made sense to take a little time to tell you about the show and its origins.

It started when I came across a YouTube video that covered a Santa Cruz tournament called the Faultline Classic. I thought the video was well-produced, given the obviously limited technical resources. I decided to approach the person who posted the video with an idea I had been tossing around for some time. The concept was for a lighter side of disc golf-type variety show, incorporating instruction, interviews and cheesy — and badly acted — comedy. It should be no surprise the last part came naturally.

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Part 2 of the ground-up approach to saving strokes

By Jack Trageser — Rattling Chains staff

The disc golf courses where I live have plenty of variety, but one thing they don’t have, for the most part, is the kind of thick, lush grass found in manicured city or county parks.

I’m used to fairways and greens that present many complexities when the disc comes into contact with them, because of the surface itself, as much as the mountainous slopes.

The hard, and sometimes, barren ground results in all sorts of action after the disc makes first contact. The uneven nature of the terrain — rocks, ruts, and exposed roots (an especially notorious villain in Santa Cruz) — add a second layer of complexity to the already technical nature of these seemingly unpredictable shots.

Courses in manicured, grassy parks -- such as this one in Hillsboro, Oregon -- can be played more aggressively because the disc is less likely to skip or roll far from where it lands. (photo by Jack Trageser)

Courses in manicured, grassy parks — such as this one in Hillsboro, Oregon — can be played more aggressively because the disc is less likely to skip or roll far from where it lands. (photo by Jack Trageser)

So when I find myself on a course in well-manicured park setting, with lush green fairways that are beefed up by Scott’s TurfBuilder and mowed to a shag carpet-like regularity, it takes some time for me to adjust.

Certain things are just hard-coded into your game if you play a particular type of course nearly all the time. Dealing with tricky fairways and greens is part of my DNA. After watching the locals time and again attack the greens with reckless abandon, and then constantly coming up 30 feet shorter than I intended myself because my discs are plunging into the soft, thick grass like M & M’s in chocolate pudding, I’ll begin to realize some adaptation is necessary. And even then, the old cautious habit is hard to break.

I’m glad the adjustment I have to make when in those situations is from more to less difficult, but it’s an adjustment nonetheless.

It reminds me of the pool table my Grandpa built from scratch long before I was born. He wanted his sons to be good at billiards, so he built the table regulation size but with snooker-size pockets, which are smaller than the pockets on a normal pool table. It made those who used it more precise with their aim, but it also required an adjustment to the increased shot-making possibilities when playing on normal tables. In both cases, the key is to be aware of the changes in the environment — and then know how to adjust one’s game accordingly.

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Product Review: inFlight Guide

By P.J. Harmer and Jack Trageser — Rattling Chains staff

I never understood flight charts for discs. A lot of people have told me I should check the charts when getting discs and such. But I didn’t get ’em. I saw graphs with numbers and lines and wondered what it meant.

Too, there seemed to be many different charts. Ones by manufacturers and ones by independent people.

Who is right?

My thoughts on disc flight is simple — I throw the disc and the way it goes is its flight. Pretty simple, eh?

The inFlight Guide by inbounds Disc Golf.

That’s why I was intrigued when contacted by inbounds Disc Golf. The company has a paperback book out, as well as an online spot, where you can check the flight path of more than 300 discs.

For people who like having flight guides, this book is small and compact and can easily fit in most people’s bags. That gives you the chance to use the book out on the course.

There is also a website for the inFlight guide which is continually updated with more flight charts.

There’s a small part in the beginning of the book describing how to use the book. However, as Jack Trageser will talk about below as well, these charts assume several things — including the player being a right-handed back-handed player, having perfect playing conditions and throwing a maximum-weight disc, among others.

I’ve never played in perfect conditions and I usually don’t throw maximum-weight discs.

Though I understand the need to have certain specifications to use the book, it seems like it’s pretty direct in the things that are needed for the chart to be useful. I’m sure all charts are like that, but it still ostracizes some players in the disc golf community.

For people looking for flight patterns and such, the book is useful. It covers hundreds of discs and it allows people to look up discs and get an idea of what the disc is supposed to do.

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Roller shots, part 2 — How to throw them

By Jack Trageser — Rattling Chains staff

The first thing to know about throwing roller shots is if you can throw backhand and sidearm, you already know much of what you need to know.

Roller shots don’t require learning an entirely new technique — just a twist on your most basic throws. With most air shots, the aim is to keep the disc aloft most of the way to the target, whereas roller shots need to hit the ground early.

And, as opposed to air shots where you usually want the disc to land mostly flat so the disc won’t roll away, roller shots are calculated to not only land on the edge, but on an edge at a specific angle so it goes the direction and distance you intended.

By the way, if you didn’t catch the first post regarding this technique, which covers the who, what, when, where and why, of rollers, check it out here.

Proper roller technique requires a high release point, exaggerated nose angle, and a torso with a tilted axis. (photo by Jack Trageser)

Now on to the how.

Much of what I know about throwing rollers comes from my personal roller mentor, Alan “Flash” Friedman. I tapped into his knowledge base for this post, and filmed a quick video, which I uploaded to YouTube. The video can be seen at the end of this post, but don’t be lazy and just watch the video as it doesn’t do a great job by itself of explaining how to properly throw the shot.

According to Friedman, there are two types of roller shots — the finesse version (thrown using understable or “beat” discs), and “high-tech” rollers that require an overstable disc.

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The five Ws of roller shots

By Jack Trageser — Rattling Chains staff

When teaching or playing with people new to the sport and they see me execute a roller shot for a long, accurate drive, it’s only a matter of time before they ask if I can show them how to do it.

They have correctly deduced that, quite often, a disc can travel farther rolling along the ground than spinning through the air. Actually, if the terrain and conditions are suited for the purpose — and the roller is thrown by someone who knows the right way to do it — it usually is the case. It’s pretty enticing for someone who is having a hard time getting the kind of distance he or she sees everyone else is getting.

Some people avoid the roller as a violation of an important aesthetic element of disc sports. After all, it’s supposed to float through the air. To that, I say geo over it.

At one point, I was in the camp myself. Then I realized I was a person who loved the competitive golf aspect of disc golf. I was jealous that others who could execute rollers had an advantage over me. So, I began to figure out a different world of getting discs from point A to point B.

In fact, roller shots are not as inelegant as they first appear. The same science of selecting the right combination of release angle, arm speed from an air shot applies to rollers as well.

From the time I started to now, I’ve learned a lot. The following is a journalist’s tried and true who, what, when, where and why for rollers. The how will follow in part two of this series.

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How do you rate a disc golf course?

By Jack Trageser — Rattling Chains staff

Beauty is in the eye of the beholder, right?

It is true of most things to which the words “subjective” and “opinion” may be applied. And so it is with disc golf courses, as well. When I read user-submitted course reviews on dgcoursereview.com, it’s clear that different people value different features in a disc golf course.

Disc golf courses can be quite unassuming.

Some of the most popular — and most famous — are almost invisible to the uninformed eye when not populated with clusters of people flinging bright colored flying discs. That is because one of the elements of disc golf of which its practitioners and proponents are most proud is its ability to conform to nearly any hikeable environment — with minimal or no alteration. In fact, for a large part of the disc golfing population, the more rugged, the better.

And then there are those — no less ardent in their love of the sport — who highly value open, flat fairways where their discs can soar unimpeded by the “thwack!” of a tree and have no chance of plummeting into a deep, dark brambly chasm.

It’s all a personal preference.

Some players like a remote course that is so removed from the hustle and bustle of civilization (and, they might say, the watchful eyes of Big Brother) that having to hike half a mile on foot just to reach it is a bonus. For others, that would be a deal-killer. They want convenience, safety, and even supervision, and couldn’t care less if the park is shared with other users and bordered by streets with cars constantly zipping by.

For some folks it’s all about the equipment.

If a course doesn’t have some type of permanent teepads and baskets (as opposed to posts or other objects), they have zero interest in playing it. On the other end of the spectrum, I know people who still regularly play courses like Old Sawmill in Pebble Beach, Calif., or Little Africa in Carmichael, Calif., even though neither has regular targets or teepads. They do so because the courses are set in amazing places, convenient to them, and/or consist of great hole designs. But they obviously don’t mind the lack of official equipment.

So what makes a course great in your eyes?

Personally, I break it down into two broad categories: courses that I can play on a regular or semi-regular basis (home courses), and courses I may only get to play once or twice (road courses).

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